movie # 1

movie # 1

TITANIC (1997), HD MOVIE FREE DOWNLOAD Read More

movie # 2

movie # 2

AVATAR (2009), MOVIE FREE DOWNLOAD Read More

movie # 3

movie # 3

ACTION MOVIE "JURASSIC WORLD"(2015) FREE DOWNLOAD Read More

movie # 4

movie # 4

IRON MAN 3 (2013), FREE DOWNLOAD Read More

movie # 5

movie # 5

PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST (2006), FREE DOWNLOAD Read More

Spider-Man 2 (2004), movie free download


Peter Parker is beset with troubles in his failing personal life as he battles a brilliant scientist named Doctor Otto Octavius.

Director:

 Sam Raimi

Writers:

 Stan Lee (comic book), Steve Ditko (comic book

Stars:

 Tobey Maguire, Kirsten Dunst, Alfred Molina

 |

Storyline

Peter Parker is an unhappy man: after two years of fighting crime as Spider-Man, his life has begun to fall apart. The girl he loves is engaged to someone else, his grades are slipping, he cannot keep any of his jobs, and on top of it, the newspaper Daily Bugle is attacking him viciously, claiming that Spider-Man is a criminal. He reaches the breaking point and gives up the crime fighter's life, once and for all. But after a failed fusion experiment, eccentric and obsessive scientist Dr. Otto Octavius is transformed into super villain Doctor Octopus, Doc Ock for short, having four long tentacles as extra hands. Peter guesses it might just be time for Spider-Man to return, but would he act upon it?Written by Soumitra

User Reviews

 
Well I saw the first and Thought .. OK, nice movie, but nothing special. So I wasn't looking much forward to the second one. Boy was I wrong.. The second one has it all... And I mean all. Suspense, romance, action and some quite nice Effects. Tobey Maguire is performing well, and Kirsten Dunst... wauw.... she is breathtaking...And only 22, so we can only hope to see more of her the coming years. Last but not least, Alfred Molina, who is the bad guy. He is very convincing and very very nasty. The computer-effects used are better than I have ever seen. Now you get the feeling of flying. I recommend all to see this movie, yes girls too. Remember.. movies are best in the cinema!

Indiana Jones and the Kingdom of the Crystal Skull (2008)


Famed archaeologist/adventurer Dr. Henry "Indiana" Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.

Director:

 Steven Spielberg

Writers:

 David Koepp (screenplay), George Lucas(story

Stars:

 Harrison Ford, Cate Blanchett, Shia LaBeouf

Storyline

During the Cold War, Soviet agents watch Professor Henry Jones when a young man brings him a coded message from an aged, demented colleague, Harold Oxley. Led by the brilliant Irina Spalko, the Soviets tail Jones and the young man, Mutt, to Peru. With Oxley's code, they find a legendary skull made of a single piece of quartz. If Jones can deliver the skull to its rightful place, all may be well; but if Irina takes it to its origin, she'll gain powers that could endanger the West. Aging professor and young buck join forces with a woman from Jones' past to face the dangers of the jungle, Russia, and the supernatural.Written by 

User Reviews

 

After a long nineteen year wait, Indiana Jones is back on the big screen hamming it up and continuing his search for rare and wild artifacts that could seriously take someone's life away. This film has Jones in the late 1950s fighting against the Soviets in order to obtain a crystal skull found in Peru which they believe will give them absolute knowledge over all other countries. Without telling the spoilers, it is important to state right here and now that this is definitely the weakest written of the four films. It simply doesn't give the magic and suspense that Raiders was able to throughout the entire running time. Of course the acting is good with Harrison Ford looking as good as ever and Karen Allen and Shia Labeouf supporting him well. The directing by Steven Spielberg is solid as we get some nice chase scenes and the pace is just fine. Still, it's that script that is giving me winces of pain as I watch this film. Of course, you shouldn't go into this thinking it was going to be as good or better than Raiders or the Last Crusade. I didn't expect too much and that is exactly what I got; not too much but enough to recommend for all fans of the original three to see. Are the first three the best? Of course. Should they have made this fourth one? Probably not. Still, if you are a fan, it doesn't hurt too much to see Indy crack the whip one more time.

Fast & Furious 6 (2013), movie free download


Hobbs has Dominic and Brian reassemble their crew to take down a team of mercenaries: Dominic unexpectedly gets convoluted also facing his presumed deceased girlfriend, Letty.

Director:

 Justin Lin

Writers:

 Chris Morgan, Gary Scott Thompson(characters)

Stars:

 Vin Diesel, Paul Walker, Dwayne Johnson |

Storyline

Since Dom (Diesel) and Brian's (Walker) Rio heist toppled a kingpin's empire and left their crew with $100 million, our heroes have scattered across the globe. But their inability to return home and living forever on the lam have left their lives incomplete. Meanwhile, Hobbs (Johnson) has been tracking an organization of lethally skilled mercenary drivers across 12 countries, whose mastermind (Evans) is aided by a ruthless second-in-command revealed to be the love Dom thought was dead, Letty (Rodriguez). The only way to stop the criminal outfit is to outmatch them at street level, so Hobbs asks Dom to assemble his elite team in London. Payment? Full pardons for all of them so they can return home and make their families whole again. Written by Universal Pictures

User Reviews

 
Well, this was unexpected! Going into this film I found myself with no hype at all. I expected a good, fun and cheesy movie time and I came out of the theater happy and surprised. While this isn't a masterpiece of filmmaking it does achieve what it sets out to do. To entertain you. And it does this quite good and sometimes it goes further than this by showing us some amazing set pieces and action sequences. For example one car, tank chase sequence! This is achieved by the gigantic production value of the film. You can literally smell the money that comes out of these guys. The whole movie you have this sense of scale, and I mean BIG scale! The amazing sound mixing and design including the music pumps you up and puts you in the mood! While the acting isn't Oscar worthy it is very fluid and it doesn't always feel forced. The chemistry between the cast is very solid and credible. Diesel and "The Rock" where pretty solid along with the secondary characters, and the villain was surprisingly tolerable. Another thing that solidifies the movie are the effects. These are outstanding along with the camera-work! The things that brought the movie down for me a little bit where some of the stunts, and weirdly some of these I found pretty amazing but although I understand this movie isn't supposed to be taken seriously there were some stunts that were just plain unbelievable, specially in the third act of the movie. And finally, the plot. While not groundbreaking it did have its interesting points but it doesn't drift away from the cheese factors. Overall I was quite surprised by what this movie did and how the director and producers exploited and used their huge production value. This is an example of a good quality action flick.

E. T. The Extra-Terrestrial (1982)


A troubled child summons the courage to help a friendly alien escape Earth and return to his home-world.

Director:

 Steven Spielberg

Writer:

 Melissa Mathison

Stars:

 Henry Thomas, Drew Barrymore, Peter Coyote 

Storyline

While visiting the Earth at Night, a group of alien botanists is discovered and disturbed by an approaching human task force. Because of the more than hasty take-off, one of the visitors is left behind. The little alien finds himself all alone on a very strange planet. Fortunately, the extra-terrestrial soon finds a friend and emotional companion in 10-year-old Elliot, a lonely boy whose parents have separated. While E.T. slowly gets acquainted with Elliot's older brother Michael, his sister Gertie and the customs of Earth, members of the task force work day and night to track down the whereabouts of Earth's first visitor from outer space. The wish to go home again is strong in E.T., and after being able to communicate with Elliot and the others, E.T. starts building an improvised device to send a message home for his people to come and pick him up. But before long, E.T. gets seriously sick, and because of his special connection to Elliot, the young boy suffers, too. The situation ...Written by Julian Reischl

User Reviews

E.T. is one of my all time favorite movies. This movie blew me out of my seat as a kid, and still kills me every time I watch it. Only four or five movies have made me cry, much less sob uncontrollably. When I returned from seeing E.T. for the first time, I couldn't talk for the rest of the day. I laid in my bed and cried for about five hours.

The movie still makes tears well up in my eyes and gives me a lump in my throat. I still find it profoundly moving. It's heart-breakingly sad, yet phenomenally uplifting at the same time. I had no idea a movie could be so powerful when I saw this in the movies for the first time when I was eleven.

What I think makes E.T. so powerful for me now is the heart-wrenching way it has of making me long to be a kid again. I refuse to ever completely grow up, and my memories are my own, but man does this movie make me wish I was eleven again, when riding my bike was a pleasure, Matchbox cars were the greatest thing in the world, Halloween was a night of mystery and creepy fun I looked forward to all year, going to the movies was an adventure, and looking up at the stars could be a mind-blowing experience.

E.T. keeps those feeling alive for me. So do a lot of other things, but E.T. is the champ. As much as my cynical adult side may want to slap Steven Spielberg around sometimes, I would happily give him a hug for his timeless gift to the world, E.T. THE EXTRA TERRESTRIAL.

Harry Potter and the Prisoner of Azkaban (2004), free download


It's Harry's third year at Hogwarts; not only does he have a new "Defense Against the Dark Arts" teacher, but there is also trouble brewing. Convicted murderer Sirius Black has escaped the Wizards' Prison and is coming after Harry.

Director:

 Alfonso Cuarón

Writers:

 J.K. Rowling (novel), Steve Kloves(screenplay)

Stars:

 Daniel Radcliffe, Emma Watson, Rupert Grint 

|

Storyline

Harry Potter is having a tough time with his relatives (yet again). He runs away after using magic to inflate Uncle Vernon's sister Marge who was being offensive towards Harry's parents. Initially scared for using magic outside the school, he is pleasantly surprised that he won't be penalized after all. However, he soon learns that a dangerous criminal and Voldemort's trusted aide Sirius Black has escaped from the Azkaban prison and wants to kill Harry to avenge the Dark Lord. To worsen the conditions for Harry, vile creatures called Dementors are appointed to guard the school gates and inexplicably happen to have the most horrible effect on him. Little does Harry know that by the end of this year, many holes in his past (whatever he knows of it) will be filled up and he will have a clearer vision of what the future has in store... Written by Soumitra

User Reviews

 
If there's anything this movie proves, it is the difficulty in separating the series from the demands of fans. This is clear just from hearing some of the comments. "Why didn't they identify the names on the Marauder's Map?" "Why wasn't the second Quidditch game shown?" "Why wasn't there more of Crookshanks the Cat?" By focusing on what the film didn't have, fans fail to look at the film on its own terms. I think this is by far the best Harry Potter movie yet.

The only way to satisfy fans would be to include everything from the book, which would require a miniseries. Since that isn't what these films are, the story has to be abridged. The first two films tried to fit everything they could within a reasonable slot of time. The result was a set of films that felt cluttered yet incomplete. Had they continued with this strategy for this movie, based on a much longer book, it would surely have been over three hours long.

The virtue of the latest film is that it makes a real attempt to adapt the story, not just marching in lockstep with the book's events. The screenplay is sparing, leaving out or simplifying loads of details not directly relevant to the plot. But it captures much of the book's delight and humor. The first two films fell short in this regard, because they lacked the guts to tinker with the details, even though that was the key to condensing the story while staying true to its spirit.

The movie is still faithful to the book, of course. Many of the scenes are exactly as I had imagined them. When it deviates, it does so based on an understanding of the story and characters. This is evident in the way they show, for example, the Knight Bus; Hermione's overstuffed schedule; and the introduction of the Marauder's Map, a scene that captures the twins' mischievous personalities. The changes are clever and funny, and they help compensate for the movie's loss in other areas.

Certainly this has something to do with the new director. Columbus's approach was to stick to the books as literally as possible, often draining them of their subtlety. For instance, where the books only hint that Dumbledore can see through the invisibility cloak, the earlier movies make it unmistakable. The new director never condescends to the audience in that way. This is a children's movie, but it is also a fantasy-thriller that we can take seriously, because not everything is spelled out for us. We're given a chance to think.

But part of what makes the movie work is the book itself. The story is gripping from start to finish, because the threat looming over the school is established early on. Harry's personal life is sharply intertwined with the plot. We feel for him as we watch his disastrous (but hilarious) attempts to escape his uncle and aunt, and his humiliating reaction to the dementors. The story avoids common devices such as the talking killer or deus ex machina, which the other books have in abundance. The ending is nicely bittersweet and ambiguous. The plot is so complicated, however, that the book spends several chapters explaining it all. The movie wisely includes only very little of this, allowing the plot twists to become understood as the story progresses. I was surprised to see certain events that were in the movie but not the book lend support to an important theory some fans have had about what is to be revealed at the end of the series. Of course, it is well-hidden and won't give anything away for those who aren't looking for the clues.

I was so satisfied with the film that it almost seems trivial to mention the flaws, but there are some. The portrayal of Fudge's assistant as the standard hunchbacked dimwit is out of place here, as it would be in anything other than a cartoon or spoof. The most serious misstep, though, is the casting of Michael Gambon as Dumbledore. Gambon's face seems frozen in a perpetual nonexpression, and his voice lacks resonance. He compares poorly to the late Richard Harris, whose line readings had gravity, and who played the character with a twinkle in his eyes. It is a pure mystery to me why this actor was chosen as a replacement, especially considering the fine performances from other members of the cast. Even the children are in top form here.

Those complaints aside, this is the movie I was hoping they would make when the series began. If it doesn't live up to the book, so what? What's important is that it lives up to its potential as a movie. Fans who want a carbon-copy of the book are looking in the wrong place, because they're never going to get it here. This is probably the best example of a Harry Potter movie that we're ever likely to see.

Shrek the Third (2007, movie free download


When his new father-in-law, King Harold falls ill, Shrek is looked at as the heir to the land of Far, Far Away. Not one to give up his beloved swamp, Shrek recruits his friends Donkey and Puss in Boots to install the rebellious Artie as the new king. Princess Fiona, however, rallies a band of royal girlfriends to fend off a coup d'etat by the jilted Prince Charming.

Directors:

 Chris Miller, Raman Hui

Writers:

 William Steig (book), Andrew Adamson(story)

Stars:

 Mike Myers, Cameron Diaz, Eddie Murphy

Storyline

When Fiona's father and King of Far Far Away passes away, the clumsy Shrek becomes the immediate successor of the throne. However, Shrek decides to find the legitimate heir Artie in a distant kingdom with his friends Donkey and Puss in Boots to be able return to his beloved house in the swamp with the pregnant Fiona. Meanwhile, the envious and ambitious Prince Charming joins the villains of the fairytales plotting a coup d'état to become the new king. Written by Claudio Carvalho, Rio de Janeiro, Brazil

User Reviews

 
A movie too many, a laugh too few. This installment of Shrek is so unlike the first two in terms of energy and humor that its almost like one of those cheesy made-for-TV or straight-to-video versions that the studios make just to cash in on the popularity of a title.

The movie slogs through a story about Shrek and Fiona having to replace the deceased frog king unless they can find another heir. Shrek's time at the "high school" is so tortured that you can almost smell the coffee the writers had to brew to get through the brainstorming sessions.

Not good, I'm sorry to say. The first two were so clever that this ends up seeming...well...crappy by comparison.

Part of success is knowing when to stop.

Independence Day (1996)


The aliens are coming and their goal is to invade and destroy Earth. Fighting superior technology, mankind's best weapon is the will to survive.

Director:

 Roland Emmerich

Writers:

 Dean Devlin, Roland Emmerich

Stars:

 Will Smith, Bill Pullman, 

Storyline

On July 2nd, communications systems worldwide are sent into chaos by a strange atmospheric interference. It is soon learned by the military that a number of enormous objects are on a collision course with Earth. At first thought to be meteors, they are later revealed to be gigantic spacecraft, piloted by a mysterious alien species. After attempts to communicate with the aliens go nowhere, David Levinson, an ex-scientist turned cable technician, discovers that the aliens are going to attack major points around the globe in less than a day. On July 3rd, the aliens all but obliterate New York, Los Angeles and Washington, as well as Paris, London, Houston and Moscow. The survivors set out in convoys towards Area 51, a strange government testing ground where it is rumored the military has a captured alien spacecraft of their own. The survivors devise a plan to fight back against the enslaving aliens, and July 4th becomes the day humanity will fight for its freedom. July 4th is their ... Written by Gustaf Molin

User Reviews

 
Independence Day is the sort of film that's best appreciated on a big screen, preferably a massive great plasma television that is so huge you had to cut the roof off your house and get airlifted in by helicopters just to get it in the living room. You should also have the most state of the art surround sound possible, with bass pickups so deep they cause earthquakes on the Eastern seaboard. Not because Dean Devlin and Roland Emmerich's alien invasion flick is a masterpiece of cinematic art or anything, but because it's loud. Very loud. And if the windows in your house don't shatter when the spaceship flies over New York then well, you're just not experiencing it properly.

Taking the 1950's invasion narratives and pro-tooling them for 90's audiences, Independence Day is an absolute blast of visual flare and gung ho heroism. The plot is so straightforward as to be superfluous (aliens invade, fights ensue) but even so, it remains an invigorating watch purely because of the spectacle it provides. Back in 1996, the sight of that giant blue laser tearing apart lower Manhattan made jaws drop and while it's unlikely to do the same to today's overstimulated audiences, it's still an incredible visual feast. What's more, the ensemble cast makes it surprisingly unpredictable - we all know that the aliens will be defeated at the end, but what isn't so obvious is which characters are going to be alive to see it. Except for the kid and the dog. They're relatively safe bets.

Watching it now though, it does possess a cheerful naivety in the face of world politics. After all, this was 1996, the Cold War was over and 9/11 a long way off, so the entire world uniting against a common foe without being bogged down with petty arguments and personal agendas still seemed believable. Hell, even the gun-toting Arabs that briefly appear on screen are more than happy to rally behind Uncle Sam in the name of freedom. That's right folks, it's an Americans Save The World movie, complete with a snapshot of British officers drinking tea in the desert and waiting for those silly yanks to get a bally move on and show us what to do.

Needless to say, this is blockbuster entertainment through and through. The aliens are apparently here to strip mine the planet of all her natural resources, but they're quite happy to put that off for a bit in order to blow things up for the entire running time. Fans of in-depth characterisation, intelligent story telling and emotional engagement with the protagonists are wasting their time, but if you want to watch tourist attractions, jet planes and space craft exploding for three hours, you can't really go wrong. That business about a computer virus bringing down the mother-ship is a bit daft though, not once did they try switching everything on and off again.

Spider-Man (2002), Action Movie Free Download

When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.

Director:

 Sam Raimi

Writers:

 Stan Lee (Marvel comic book), Steve Ditko(Marvel comic book)

Stars:

 Tobey Maguire, Kirsten Dunst, Willem Dafoe
 Storyline
Based on Marvel Comics' superhero character, this is a story of Peter Parker who is a nerdy high-schooler. He was orphaned as a child, bullied by jocks, and can't confess his crush for his stunning neighborhood girl Mary Jane Watson. To say his life is "miserable" is an understatement. But one day while on an excursion to a laboratory a runaway radioactive spider bites him... and his life changes in a way no one could have imagined. Peter acquires a muscle-bound physique, clear vision, ability to cling to surfaces and crawl over walls, shooting webs from his wrist ... but the fun isn't going to last. An eccentric millionaire Norman Osborn administers a performance enhancing drug on himself and his maniacal alter ego Green Goblin emerges. Now Peter Parker has to become Spider-Man and take Green Goblin to the task... or else Goblin will kill him. They come face to face and the war begins in which only one of them will survive at the end. Written by Soumitra

Audience Reviews

Breaking with usual tradition, the "Spider-Man" DVD was released today, a Friday. At around $15 almost everywhere, for the 2 disk set, it was too good a bargain to pass up. I hadn't seen the film in theaters so this was my first viewing. Definitely entertaining, with a good mix of action and budding romance, the film of the beginnings of Spider-Man. Although I was a bigger fan of Superman as a kid, I also have good memories of the Spider-Man comics, and this film is very faithful.

no SPOILERS here - The 2 disk DVD set is one of the better ones. The picture itself is extremely sharp, and very colorful, with a very clear and dynamic Dolby 5.1 sound track. Surround sound complements the picture masterfully, so that the viewer seems right in the middle of the action. **POINT** - As I have explained in other reviews, anyone still watching movies at home on VHS needs to get rid of it now! It is a different movie on DVD, the quality of the picture, the quality of the sound, not to mention all the extras. With a widescreen TV it is almost like being in a theater.

The EXTRAS - In addition to the movie, disk one has a feature that pops up a spider icon at certain spots that, when "clicked", jumps you to a brief "making of" segment for that scene, then jumps you back to the movie. Plus there are two different, selectable commentaries for anyone who likes the re-watch a movie and hear what went into its making.

Disk two is completely devoted to "extras", like screen tests, an HBO special, and other aspects of making "Spider-Man." Also included is an archive of Spider-Man comics covers from the 1960s to now, grouped by decade, and written script to summarize the basic story of each issue. A "must have" for all Spider Man comics fans.

There have been a few user reviews on IMDb, usually very short, which trash this movie, and may even say something like "avoid this movie". Be certain those are "bogus" reviews, written for some deceptive purpose, I know not why. For anyone who enjoys any kind of fantasy action movie with a good message, "Spider-Man" is a definite "must-see."

Inception (2010), Movie Free download

A thief who steals corporate secrets through use of the dream-sharing technology is given the inverse task of planting an idea into the mind of a CEO.

Director:

 Christopher Nolan

Writer:

 Christopher Nolan

Stars:

 Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page

Storyline

Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible-inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming. Written by Warner Bros. Pictures

Reviews

What do we ask for in a summer blockbuster? What is it that incites hysteria this time every year for whatever dross the studios churn out? Epic hugeness? Blowing stuff up? Romance? Action? Heroes? What are we looking for in a blockbuster? I think it all boils down to thrills! Audiences want the thrill of a car chase, the thrill of romance, the thrill of the spectacular! If that is the case, then Inception just might be the greatest summer blockbuster of all time as it also contains something we often don't look for...brains! "What is the most resilient parasite? An idea" says Leonardo Di Caprio's character Cobb. Well, Inception is all about ideas. It's all right there in the title. The film central idea revolves around "Extractors", who are paid to extract secrets from people's subconscious minds by sneaking into their dreams, usually for the purpose of corporate espionage. However, when one client asks them to plant an idea in the mind of their corporate rival, "Inception" is born. The less said about this film the better. It is full of ideas and invention and for each set piece I divulge, a piece of the film's genius is weakened. This is a film that cleverly and intricately brings the audience through several planes of existence simultaneously but never allows the viewer to feel lost. Such is the power of Christopher Nolan's script which, I imagine, is likely to get overlooked due to the sheer visual magnificence of his direction. But everything that makes this film so great is in the script...in the ideas! Everything else is just spectacle. This film bears an uncanny resemblance, thematically, with DiCaprio's other instant classic this year, Shutter Island. Both films investigate in depth the tricks a traumatised mind can play on the individual. Both films are luscious to watch and both films keep the audience firmly outside the realm of reality. However, Inception is an even more layered film than Shutter Island and I believe the sci-fi genre setting will prove to be less alienating for audiences than the prison noir of Scorsese's film. There is not a single dull moment in Nolan's film. There is style, charm and intelligence in every frame of the film. Every performance is pitch-perfect with some strong support by Ellen Page and Joseph Gordon-Levitt particularly who have grown up right before our eyes into undeniable movie stars. Leonardo DiCaprio gives a typically flawless performance as the muddled, grieving man who we never quite trust to be living in the real world. The best part of Inception is the large amount of effects which were done in camera. While the film does make use of CGI, there are some pretty mind-blowing practical effects which are as simple as the camera telling beautiful lies; a rare treat these days. This is a blockbuster that ticks all the boxes; smart, sexy (femme fatale, sexy brainy girl, very beautiful men in very beautiful suits) and magical. Inception is the kind of film that reminds me why cinema will never die. Because anyone who thinks it's OK to watch this film on a laptop or iPad is a fool! This is pure cinema, and proud of it. Not to be missed on the big screen!

The Twilight Saga: Breaking Dawn, Part 2 (2012) Movie

After the birth of Renesmee, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.

Director:

 Bill Condon

Writers:

 Melissa Rosenberg (screenplay), Stephenie Meyer (novel)

Stars:

 Kristen Stewart, Robert Pattinson, Taylor Lautner

Storyline

The final Twilight Saga begins with Bella now a vampire learning to use her abilities. And happy to see her daughter, Renesmee is flourishing. But when someone sees Renesmee do something that makes them think that she was turned. This person goes to the Volturi, because it is a violation to turn a child. And the penalty is death for both who turned the child into a vampire and the child, cause they deem a turned child too dangerous. Alice gets a vision of the Volturi coming after them. So the Cullens try to convince them that Renesmee is not a threat. So they ask friends and family to come stand with them. But when someone who has it in for the Volturi shows up and tells them they should be ready for a fight. And they get ready

Audience Reviews

Picking up almost immediately after the events of "Breaking Dawn Part 1," Bella Swan (Kristen Stewart) and Edward Cullen (Robert Pattinson) must brave raising their newborn child Renesmee (Mackenzie Foy) in a world where vampire children are forbidden. When Irina (Maggie Grace) spies close friend and werewolf guardian Jacob Black (Taylor Lautner) out for a snowy stroll with the rapidly growing Renesmee, she assumes the young girl was turned into a vampire as opposed to being born – which in vampire lore, represents an unignorable dilemma from permanent immaturity, potentially destructive tantrums, and general untrustworthiness. Betraying this inaccurate vision to the inflexible Volturi leader Aro (Michael Sheen), she incites a war between the Cullens and their sympathizers and Aro's army of skillful followers.

There's something exhilarating about the Twilight Saga finally coming to a close. The repetitious nature of witnessing Lautner dramatically remove his shirt, seeing scantily clad forest people metamorphosing into over-sized werewolves that appear entirely too cuddly despite gritted canines, and looking at Stewart's blank face trying desperately to emote, has equated to a tiresome journey. The numerous problems plaguing the series haven't been solved, once again demonstrating the excruciating preposterousness of vampire strength and speed (and now more conspicuously the feeding on wild game), unconvincing computer graphics (isn't this franchise much too lucrative to ignore possibilities outside of Rodeo FX and Hydraulx?), and an overabundance of comic relief.

The pervasive humor in "Breaking Dawn" is perhaps the greatest scourge of the production. The first half-hour is so blanketed by one-liner riffs that it's difficult to understand the intent. These constant little jokes don't progress the story and only serve to pollute the tone, which gravely requires seriousness to market sense for the wildly fanciful, fairy-tale-like characters. Imprinting, the love triangle, a very PG-13 sex scene, Bella arm-wrestling to prove her fortitude – all of these and more are purely comedic (while aspiring to be expectedly essential) and further detract from the severity of quenching bloodlust, rearing an enigmatic child, and engineering an army for an epic closing battle. The casting of Michael Sheen is easily the most garish selection, bestowing upon the goofy role expressions, dialogue, and cackles that garner awkward laughs. Later, the elaboration of special powers beyond merely being immortal bloodsuckers (the mastery of electricity, elemental distortion, mind control, etc.) is presented as pathetically derivative of X-Men mutants. The lengths the vampires will go to conceal their vampirism has apparently made it necessary to exploit flashier abilities, akin to superheroes. Jacob even comments of Bella's "Jedi training." 

Admittedly, it's amusing to see the much-awaited culmination of the Volturi's mercilessness and the Cullen's protective righteousness. The highly anticipated, skull-ripping campaign isn't without unexpected and momentous casualties. An unfortunate twist surrounds this momentary enthusiasm and welcome realization of acerbity and violence, however, revealing a method of misdirection tantamount to storytelling treason – which will unavoidably displease the casual or uneducated viewer (namely those not familiar with the book, should they exist in crowds for this release). At least Bella's narration quickens the overly simplistic plot, resulting in a finale for the theatrical phenomenon thankfully clocking in at less than two hours.

Transformers: Revenge of the Fallen (2009), Action, Adventure, Sci-Fi Movie Free Download

Sam Witwicky leaves the Autobots behind for a normal life. But when his mind is filled with cryptic symbols, the Decepticons target him and he is dragged back into the Transformers' war.

Director:

 Michael Bay

Writers:

 Ehren Kruger, Roberto Orci

Stars:

 Shia LaBeouf, Megan Fox, Josh Duhamel
 

Storyline

A youth chooses manhood. The week Sam Witwicky starts college, the Decepticons make trouble in Shanghai. A presidential envoy believes it's because the Autobots are around; he wants them gone. He's wrong: the Decepticons need access to Sam's mind to see some glyphs imprinted there that will lead them to a fragile object that, when inserted in an alien machine hidden in Egypt for centuries, will give them the power to blow out the sun. Sam, his girlfriend Mikaela Banes, and Sam's parents are in danger. Optimus Prime and Bumblebee are Sam's principal protectors. If one of them goes down, what becomes of Sam?

Reviews

Transformers 2: Revenge of the Fallen is directed by Michael Bay and jointly written by Alex Kurtzman, Ehren Kruger & Roberto Orci. It stars Shia LaBeouf, Megan Fox , John Turturro, Ramón Rodríguez, Josh Duhamel & Tyrese Gibson. Ben Seresin is the cinematographer and the music director is Steve Jablonsky. 

The Autobots and the US military have formed an alliance called NEST, their singular goal is to rid the World of Decepticons. But now they face their biggest challenge, because heading for Earth is the ultimate destroyer, The Fallen. 

Michael Bay has never been the most subtle of film directors, he knows how to have fun, and in the main he knows how to drag his target audience along with him for a slam bang good ride. After the hugely enjoyable Transformers film, and after its subsequent success, he has crafted a sequel that he felt needed a more is more approach, where everything is bigger and louder and nothing pauses for breath. The end result is a dizzying ball of entertainment that's sadly devoid of substance. If ever there was a film to be put forward as OTT then Transformers 2 is a leading candidate. The plot is thin yet unnecessarily made complex by the writers, who you feel are trying to be heard in amongst the eye candy carnage, while Bay even resorts to cheap moments of crudity to get some laughs for his film. His cast are fine, yes Megan Fox seems to only serve as a drawing in weapon for the randy teenagers, but she still works well off of the ever likable LaBeouf, who in turn continues to deliver a good line in action comedy performance. Pity, tho, that in a film that's so big, with everything expanded, that John Turturro doesn't get more screen time. Only he, with his visual comedy at optimum, can make a metal testicle scene seem less crass than really it is. 

When all is said and done, all the human actors are playing second fiddle to the Bots/Cons and metal critters. To that end the film is exciting, undeniably so. Sure some of the set-ups riff on other movies that have gone before it, but Bay is the master of Bayhem, there's just too much fun to be had if one is prepared to forgive its shallow center. With a third film on the go and set to be released in 2011, without Megan Fox (Rosie Huntington-Whiteley slipping into the considerably short skirt this time), it's anyone's guess what we will actually get this time. Will Bay pull back a touch and give us a story, with characters given time to breath? Or will it be bigger and noisier than part 2? You hope it's the former, but even if it's the latter, it will be fun for those after a certain level of popcorn explosive cinema. Transformers 2: Revenge of the Fallen is like a great ride at the funfair, one you have been on four times in a row. You know you have had a great time, but as your head starts to spin and your stomach feels queasy, you wonder if it was just too much overkill?

Star Wars: Episode III - Revenge of the Sith (2005), Adventure Movie !


During the near end of the clone wars, Darth Sidious has revealed himself and is ready to execute the last part of his plan to rule the Galaxy. Sidious is ready for his new apprentice, Lord... 

Director:

 George Lucas

Writer:

 George Lucas

Stars:

 Hayden Christensen, Natalie Portman, Ewan McGregor

Storyline

During the near end of the clone wars, Darth Sidious has revealed himself and is ready to execute the last part of his plan to rule the Galaxy. Sidious is ready for his new apprentice, Lord Vader to step into action and kill the remaining Jedi. Vader, however, struggles to choose the dark side and save his wife or remain loyal to the Jedi order.

Movie Reviews

SPOILER ALERT My thoughts on Revenge of The Sith. Although miles better than the previous two, when held up against the original trilogy it still left me feeling under whelmed. Whether that it symptomatic of today's era when big budget spectacles are two-a-penny I'm not sure.

I'll start with the opening space battle in the film. Nobody can say it wasn't visually effective. You jump straight in to the midst of a battle. Starfighters zig zagging across every corner of the screen, explosions left right and centre, Laser fire criss crossing the cold vacuum of space, Obi-Wan and Anakin in a frenzied dogfight with the droid attack fleet. Probably millions spent on the scene and endless manpower dedicated to its completion. Visually stunning yet souless. Give me the sequence in ROTJ anyday, when in the cold stillness of space the rebel fleet come out of Hyperspace, ready to mount an attack on the Deathstar. The Imperial fleet hangs back in the distance and you know you are in for the mother of all space battles. You can't buy that sort of anticipation, that sort of "Oh My God, I can't wait for what's gonna happen next" feeling. This is what Star Wars is about A grand spectacle with feeling, not just a grand spectacle.

Then we have how easy some of the main protagonists go down. Count Dooku goes from a Sith lord capable of fending off Obi-wan and Anakin in AOTC to someone is easily taken down by Anakin with the shimmy of a lightsabre. I don't see how his skills and powers have improved so much from the second movie but we are told by Anakin that they have and we should just accept it. In the return fight between Luke and Vader in ROTJ. You sense Luke is empowered by the knowledge he has of Vader and a momentary lapse into anger by Luke allows him to bear down on Vader and bring him to the ground. A believable turnaround of events considering what has gone on before. Not so in the rematch between Anakin and Dooku. Considering Dooku manages to immobilise Obi-wan quite easily once again and fought Yoda to an arguable draw in AOTC's, the swiftness by which Anakin dispatches Dooku is a bit stretched.

Then we have the romance. Portman is a great actress, you'll get no arguments from me. Apparently the rumour is Hayden can act as well judging by the reviews he had for Shattered Glass. Why is it then that when they share lines and romantic scenes together they can't muster an iota of the chemistry that Han an Leia had in the original trilogy. Anakin comes across as a simplistic figure, with simple lines. I believe the problem is Hayden always over compensates when he reads out his lines. Understandably he's trying to think how Lucas would want them to be delivered. Is he thinking, "How does saying I love you Padme in the Star Wars universe where there is a galactic war going, differ from saying I love you in the real world". What should I enunciate, what depth of feeling should I squeeze from my character, a tragic hero figure destined for a fall from grace. My feeling is that he shouldn't. Yes Star Wars is set in a galaxy far far away but I love you is still I love you no matter what context you put it in. That's why when the inevitable romantic scenes come along they still leave you feeling flatter than a pancake run over by a bulldozer. Harrison Ford and Carrie Fisher to me gave a very adult take on the relationship between Han and Leia. It was basically scoundrel meets women way out of his league and lets forget the hell out of all this sci-fi stuff and just act how we feel it should be. Result - classic scenes to watch again and again. Lucas unfortunately hasn't remembered this lesson in time for the final film.

The events that lead Anakin's turn to the darkside are also difficult to accept. Yes we know his transformation must be complete by the end of the movie less we find ourselves potentially forking out for the "Fourth in the Trilogy © Orange Cinema ad". But the excuse of needing knowledge to save his wife and keeping alive the only person who has this knowledge is the premise for an alarmingly rapid descent into the dark side. Sure he murders the Tusken Raiders in AOTC's without a second thought but that was shortly after his beaten mother died in his arms. After lopping Mace Windu's hand off and allowing the Emporer to lighting blast the bad-ass Jedi into the Corsucant night sky, there is not a hint of remorse by Anakin. A rapid betrayal of the Jedi, the murder of the Jedi children quickly follows, yet hours before he's still Anakin the Jedi. Sure a little confused, hugely frustrated but not a child-killer. Much more believable would be something like the murder of Padme in front of his very eyes and the Jedi complicity in this which might enable Anakin to turn against everything he believed in so quickly. Yet it is only the hint of great power he might be able to achieve under Palpatine tutelage that triggers Anakin to turn against everyone he loves, in an instant.

Oh and the final fight scene, Apparently doesn't matter if you are the chosen one. It's all about height. If you have the "Higher Ground" then the fight's yours. Someone should try telling that to the two pieces of Darth Maul laying at the bottom of a power shaft somewhere.

So to sum up George – thank for the memories. It wasn't quite a home run but you sure came damn close and 'A' for effort. I think that other trilogy with the guys with the funny feet kinda of stole your thunder though.